On 19 June 2025, the Master in Design for Emergent Futures (MDEF) hosted the fifth edition of MDEFest, under the title “My knee hurts, tomorrow it will rain.” For a single day, as part of the Elisava Grad Showcase, the industrial grounds of Tres Xemeneies in Sant Adrià de Besòs became a site of rehearsal: for ideas, for conversations, for fragile prototypes of other possible worlds. Students, educators, and collaborators joined in, turning a former power station into a new stage that showed how design can be both a reflective practice and a catalyst for transformation.
MDEFest is not an end-of-year exhibition, but a festival of possible futures. In one day, graduating students open their projects, installations, and live activations to the public, using design to question the present and stage alternative presents. It is where alternative presents are tested, communities are engaged, and speculative worlds come alive. The name of this edition, “My knee hurts, tomorrow it will rain,” reflected both the playfulness and the urgency of the work presented: an acknowledgment of pain and precarity, but also a reminder that new patterns and new possibilities can be anticipated, sensed, and designed.
This year’s edition unfolded through six thematic clusters, each probing urgent questions of our time through diverse media, methods, and practices:
The festival was not only about displaying work — it was about building an environment where dialogue and participation mattered as much as outcomes. Visitors were invited to experiment, play, and engage directly with the projects. In doing so, they became co-authors of the experience, embodying MDEF’s approach to design as an open and collective process.
As evening fell, MDEFest shifted into celebration mode. The closing party — with DJs, food trucks, and a special live performance by the Jokkoo Collective — turned Tres Xemeneies into a space of joy and community. The gathering emphasized that while futures design deals with complex challenges, it also carries the promise of creativity, solidarity, and cultural vibrancy.
The projects presented during MDEFest 2025 embodied the program’s ethos: design as a vehicle for social, ecological, and cultural transformation. Students tackled issues ranging from material innovation to artificial intelligence, from collective rituals to embodied practices. Together, they offered not only glimpses of possible futures but also tangible tools, experiences, and provocations that audiences could carry with them.
As one of the highlights of the MDEF academic calendar, the festival also acts as a bridge between cohorts, communities, and institutions — amplifying the voices of young designers who dare to ask: how do we design for the Anthropocene? It underscored the importance of future literacy and reminded us that futures are not abstract, but are constantly being shaped by our actions, narratives, and relationships in the present.
With MDEFest marking the close of the academic year 2024–25, we now look forward to the start of the new academic year on October 1st, 2025. A new cohort of students will join Fab Lab Barcelona and IAAC to embark on their journey of design experimentation, systems thinking, and futures prototyping. They will bring their diverse backgrounds and aspirations to enrich the community, continuing the tradition of questioning, prototyping, and reimagining the worlds we inhabit.
MDEFest 2025 reminded us that the challenges we face — ecological, technological, social — demand not only solutions but new imaginaries. And this is precisely what MDEF nurtures: a community of practitioners equipped with the tools, mindsets, and courage to design for transformation.